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This screening puts into practice a radical Godardian proposition: the scre ening of his Made in USA ( 1966) a nd 2 ou 3 choses q ue je s ais d’ell e (Two o r Three Th ings I Know About Her, 1966) as a s ingle work , with their r eels and n arratives i ntertwin ed.This scre ening puts in to practi ce a radical Godardi an proposition: the screen ing of his Mad e in USA
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